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Practical carriage and wagon painting : a treatise on the painting of carriages, wagons and sleighs, embracing full and explicit directions for executing all kinds of work : including painting factory work, lettering, scrolling, ornamenting, varnishing, etc. : with many tested recipes and formulas (1903)

Hillick, M. C. (Mayton Clarence), b. 1859 · Chicago : Press of the Western Painter · leaf 110

An illustration from Practical carriage and wagon painting : a treatise on the painting of carriages, wagons and sleighs, embracing full and explicit directions for executing all kinds of work : including painting factory work, lettering, scrolling, ornamenting, varnishing, etc. : with many tested recipes and formulas, 1903, leaf 110
it should be borne in mind that complementary colors cannot always be tastefully combined. As, for instance, yellow and orange would not look fetching to any extent when shaded with blue, although regarded as complementary. The learner should apply himself studiously to the study of happy and… … suggest the inference that the vehicle letterer is not slow, at times, to offer & startling contradiction to the axiom. The sense of construction and meaning can be quickly and effectually destroyed in a piece of lettering by a bit of bad punctuation. The simple misplacing of a comma, period, or…

Carriage and wagon painting

Internet Archive · Getty Research Institute · Public domain (published before 1931). Free to use for anything.

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