Proportion and harmony of line and color in painting, sculpture, and architecture: an essay in comparative sthetics (1899)
Raymond, George Lansing, 1839-1929 · New York [etc.] : G. P. Putnam's sons · leaf 119
orm and color, but also of proportion. How easy it would be to cause the cut of the garments to reveal the four, five, six, or eight parts of equal lengths into which the height of the well propor- tioned body is divisible ! A line below the knee, whether of skirt or breeches ; a line at the… … FIG. 41.— COSTUMES DIVIDING HUMAN FORMS PROPORTIONATELY. See pages 80, 81. 58, may not indicate that which is most important in the proportions of the human figure. But so far as they
Aesthetics · Proportion (Art) · Color
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