Proportion and harmony of line and color in painting, sculpture, and architecture: an essay in comparative sthetics (1899)
Raymond, George Lansing, 1839-1929 · New York [etc.] : G. P. Putnam's sons · leaf 166
f it, have been in the habit of perceiving. In other words, they have been in the habit, when looking at a face, of comparing, mentally, the distance between the chief line of the eyebrows and of the eye, with the distance between the nostrils and the mouth, and also of compar- ing, above and below… … FIG. 66. FIG. 67. p)Q. 68.— FACIAL DIVISIONS. FACIAL DIVISIONS. FACIAL DIVISIONS. , , 0 , , See pages 1 16. 126, 127, See pagse 116, 126, 127, See pages no, 126, & „ ' 128. 127, 128. in accordance with the principle of alternation as explained on page 116, it is not absolutely necessary that the…
Aesthetics · Proportion (Art) · Color
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