Proportion and harmony of line and color in painting, sculpture, and architecture; (1909)
Raymond, George Lansing, 1839-1929 · New York, London, G. P. Putnam's sons · leaf 138
96 PROPORTION AND HARMONY. though it be admitted that the Greek used models freely, that he was often content to have all the parts of any one statue literally reproduce all the parts of any one model. … FIG. 50.— THE DISCOBOLUS, OR QUOIT-THROWER. See pages 97, 141. On the contrary, the history of the best period of his art is a record of changes in forms, as these were developed with more or less gradualness, the one from the other. The earliest style is termed muscular and bold, as exemplified in…
Aesthetics · Color
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