Proportion and harmony of line and color in painting, sculpture, and architecture; (1909)
Raymond, George Lansing, 1839-1929 · New York, London, G. P. Putnam's sons · leaf 314
e a view of the right drawing from the left eye, and of the left drawing from the right eye, and then looking at the two drawings, at a certain distance the two will be found to be blended into one ; and, in this one, we shall apparently be looking, not at lines described on a flat sur- face, but… … grounds: L and Ry eyes; FIG. 112.— SAME OBJECT SEEN DIFFERENTLY BY iiy nose. EACH EYE. NEAR AND DISTANT BACKGROUND. See pages 234, 268, See pages 271, 272, 274, 280. 273, 280. The explanation of this effect is, that to see both cir- cles equally well from the same distance, the eyes, in taking in…
Aesthetics · Color
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