Proportion and harmony of line and color in painting, sculpture, and architecture; (1909)
Raymond, George Lansing, 1839-1929 · New York, London, G. P. Putnam's sons · leaf 376
PROPORTION AND HARMONY. 334 Let us consider some facts which this chart illustrates. It shows us that of two complementary colors, one — say yel- low— is usually brighter than the other — say ultramarine. As intimated on page 31 1, all the colors can become darker or lighter without changing their… … 60 FIG. 127.— VON BEZOLD’S COLOR-CHART. See pages 333-336, 390-393, 398, 403, 44. plementary, in order that the two together may still con- tinue to make white, must become correspondingly lighter. This suggestion is confirmed by an experiment with a color top ; two equal parts of the disk of this,…
Aesthetics · Color
Internet Archive · Duke University Libraries · Public domain (published before 1931). Free to use for anything.
