Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics (1899)
Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 116
hat its necessary limitationsshould be made to add to itseffectiveness. These bars in windows ofstained glass furnish art excep-tional opportunities. Like onesare afforded in almost every othercase in which the human formis represented. But how seldomdoes the thought of utilizingthem occur to the… … FIG. 40.—OLD GLASS OF 14THCENTURY. See page 79. 8o PROPORTION AND HARMONY. have become accustomed. But they will not think itbeautiful—whatever word they may use in order to ex-press their thought of it; at best, they will merely thinkit fitting, because it is conventional; and for the samereason,…
Aesthetics · Proportion (Art) · Color
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