Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics (1899)
Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 117
e use of form and color, but also ofproportion. How easy it would be to cause the cut ofthe garments to reveal the four, five, six, or eight partsof equal lengths into which the height of the well propor-tioned body is divisible ! A line below the knee, whetherof skirt or breeches; a line at the… … -^ FIG. 41.—COSTUMES DIVIDING HUMAN FORMS PROPORTIONATELY.See pages 80, 81. 58, may not indicate that which is most important inthe proportions of the human figure. But so far as they PROPORTION IN CIO THING. 8l go, they furnish a method of representing proportion withwhich the art of the costumer…
Aesthetics · Proportion (Art) · Color
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