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Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics (1899)

Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 118

An illustration from Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics, 1899, leaf 118
as they PROPORTION IN CIO THING. 8l go, they furnish a method of representing proportion withwhich the art of the costumer cannot afford to dispense. Notice this fact as illustrated in certain universally ad-mired costumes of different periods, as sketched in Fig.41, page 80. The first figure to… … FIG. 42.-COSTUMES NOT DIVIDING HUMAN FORMS PROPORTIONATELY. See pages 81, 82. costumes, fashionable and not fashionable, in which thereare no suggestions of equal divisions. A glance at the re-sults will be enough to reveal their unaesthetic effects, andthat they are due to a lack of likeness in…

Aesthetics · Proportion (Art) · Color

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