Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics (1899)
Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 123
in, as in Fig. 45, below, and if we find this linepassing through the middle of his nose, we obtain an im-pression of regularity which, so far as concerns it alone, isan aid to the agreeableness and consequent beauty ofthe effect ; but in the degree in which the middle of thenose is out of this… … FIG. 45—FRONT FACEDIVIDED BY LINES.
Aesthetics · Proportion (Art) · Color
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![An illustration from Divina proportione : opera a tutti glingegni perspicaci e curiosi necessaria oue ciascun studioso di philosophia: prospettiua pictura sculptura: architectura: musica: e altre mathematice: suavissima: sotile: e admirabile doctrina consequira: e delecterassi: co[n] varie questione de secretissima scientia (1509)](https://img.insideoutlibrary.com/img/200/ia-divinaproportion00paci-136-368.webp)
