Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics (1899)
Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 123
FIG. 45—FRONT FACEDIVIDED BY LINES. … See pages 15, 59, 86, 87, 105, 120,125, 126, 128, 129, 134, 141, 295. FIG. 46.—EYE AND EAR.See pages 86, 87, 141. from this central line ; and from them we may gain animpression of relative regularity by noticing to whatextent the lines pass through corresponding sides of theface. Besides this, we…
Aesthetics · Proportion (Art) · Color
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