Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics (1899)
Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 133
FIG. 49. —DIADUMENOS, BY POLYCLEITUS. See pages 97, 132, 141. 9^ PROPORTION AND HARMONY. though it be admitted that the Greek used models freely,that he was often content to have all the parts of any onestatue literally reproduce all the parts of any one model. … FIG. 50.—THE DISCOBOLUS, OR QUOIT-THROWER. See pages 97, 141. On the contrary, the history of the best period of his art isa record of changes in forms, as these were developed withmore or less gradualness, the one from the other. Theearliest style is termed muscular and bold, as exemplifiedin the…
Aesthetics · Proportion (Art) · Color
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