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Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics (1899)

Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 134

An illustration from Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics, 1899, leaf 134
we have the athlet-ic style of Ageladas pre-ceding 500 B.C., of whichwe still have representa-tions in the works of hispupils,—the Diadumenos(Fig. 49, page 95) of Poly-cleitus,born about 482 B.C.,and the Discobolus(Fig. 50,page 96) of Myron, bornabout 500 B.C. Developedat the same time,but usual-ly… … FIG. 51.-PALLAS OF VELLETRI.LOUVRE, PARIS. See page 97. with the Parthenon. The statue in Fig. 51, is supposed bysome to be a literal copy of the Minerva of Pheidias,and the Theseus, Fig. 52, page 98, is itself one of thestatues of his Parthenon. Then we have the delicateand graceful style of…

Aesthetics · Proportion (Art) · Color

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