Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics (1899)
Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 142
5, page 86),the corresponding parts of eye-brows, eyes, nostrils, on the op-posite sides of the face, appearto be in exact balance, inas-much as the whole is outlinedby a framework that is exact-ly square or rectangular, theexternal arrangement is satis-factory because it seems repre-sentative of… … ^JWwA,^ io6 PROPORTION AND HARMONY.
Aesthetics · Proportion (Art) · Color
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