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Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics (1899)

Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 164

An illustration from Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics, 1899, leaf 164
FIG- 66. FIG. 67. p,a 68.—FACIAL DIVISIONS. FACIAL DIVISIONS. FACIAL DIVISIONS. See pagse 116, 126, 127, See pages 116, 126, See ^L11^ 6 *27128. 127, 128. I20 I3° in accordance with the principle of alternation as explainedon page 116, it is not absolutely necessary that the ratiobetween the two…

Aesthetics · Proportion (Art) · Color

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