Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics (1899)
Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 179
unning, wrestling, box-ing, was then mathematically studied, and the line of thecentre of gravity was carefully marked ; when the posi-tion of each limb and the breadth of each portion of the 142 PROPORTION AND. HARMONY. whole frame first conceived to be located in a circum-scribed circle or… … FIG. 75.—FIGURE FROM NAUSICA. E. J. POYNTER.See pages 59, 133, 141, 369. ing them, it is essential to arrange forms in pictures andstatues so that their general features shajl reveal theeffects of such measurements. In fact, as applied to any of the products of the fine PROPORTION IN THE POSE. 143…
Aesthetics · Proportion (Art) · Color
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