Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics (1899)
Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 184
ines them inaccordance with such methods as those termed in thechart on page 3, unity, variety, complexity, order, con-fusion, counteraction, comparison, contrast, complement,principality, subordination, and balance. As influenced by the particular requirements of eachproduct, the artistic tendency… … IT) en oo I48 PROPORTION AND HARMONY. in which they are to represent that which is heavy, strong,immovable, substantial, dignified, or near, congruity givesthem all a tendency to be more or less large and bulky ;in the degree in which they are to represent the opposite,it gives them an opposite…
Aesthetics · Proportion (Art) · Color
Internet Archive · Boston Public Library · Public Domain Mark 1.0. Free to use for anything.
