Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics (1899)
Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 189
point or incline. Anyother spaces containing no such lines, yet intended to ap-pear of equal length with it, ought really, therefore, to bea little longer. Again, if when we are looking at a build-ing a projecting cornice hide part of a wall, window,pediment, or roof that is above the cornice, so… … FIQ. 78—ARCH OF SEPTIMIUS SEVERUS.See pages 152, 163, 175. what its real measurement may be. The end to be at-tained is not factors with like or related measurements,but factors that appear to have these. ■ To illustrate this statement, by referring again to Fig.jj, page 150, as we look at this…
Aesthetics · Proportion (Art) · Color
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