Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics (1899)
Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 192
at these measurements can be more clearlyindicated, when emphasized by other vertical or horizontal-indications of subdivision. In Willesden Church, Fig. 14,page 40, the width of the tower and of the church is thesame, giving two equal divisions. In St. Stephens, Caen,Fig. 11, page 37, the width of… … FIQ. 81.—COLOGNE CATHEDRAL—FACADE. 155 See pages 42, 44, 153, 154, 156, 157, ifo, 163, 165, 175, 180, 207, 226, 23b, 237. 156 PROPORTION AND HARMONY. cerning which, however, something more will be saidpresently, each tower is exactly half as wide as the spacebetween the towers, giving four equal…
Aesthetics · Proportion (Art) · Color
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