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Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics (1899)

Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 194

An illustration from Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics, 1899, leaf 194
, Fig. 81, page 155, we can see five equaldivisions. Notice, in the latter building, how artisticallyeffects of variety and balance are introduced without in-terfering at all with this appearance of exact subdivision. ARCHITECTURAL PROPORTIONS. 157 In the side divisions, one of the huge buttresses… … RG. 83.—ST. SULPICE MODIFIED.See page 161. What is true of horizontal divisions is true, of course,of vertical ones. The six storeys in Cologne Cathedralhave already been noticed. Similar divisions need hardly I 5 8 PROP OR TION A ND HARMON Y. be pointed out in St. Sulpice, Fig. 82, page 156. In…

Aesthetics · Proportion (Art) · Color

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