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Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics (1899)

Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 204

An illustration from Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics, 1899, leaf 204
eration of conso-nance as applied to architectural measurements, let usnotice that architectural interchange in form is a variationof consonance in accordance with which different sets offorms, all the members of each of which sets are alike, ARCHITECTURAL INTERCHANGE. 167 are introduced into… … FIQ. 86.—OPERA HOUSE, PARIS.See pages 15, 166, 167, 170, 175, 226. seen against the upper pediment, interchange with thehorizontal lines over the colonnade, as well as with thewindows behind it, and the panels in the storey above thecolonnade. A unique attempt to produce effects of hiterchangemay…

Aesthetics · Proportion (Art) · Color

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