Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics (1899)
Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 208
r by way of inter-change. This front wouldhave been more successfulperhaps if these roundedpediments at either sideof the second storey hadbeen half domes corre-sponding to the part seenof the large dome of thebuilding, or if the window-caps between the pillarsof the colonnade on thesecond floor… … KUTTENBERQ. See page 172. is an admirable exampleof successful proportionsmanifesting great variety, complexity, fig.sq.-steepleof bowand even complication of design, and church, London.yet great apparent simplicity. ee page I72 Gradation, as applied to forms, causes likeness in de- 172 PROPORTION…
Aesthetics · Proportion (Art) · Color
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