Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics (1899)
Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 260
fart is young, men are never tired of going back to firstprinciples and experimenting with their designs, not onlyin painting and sculpture but in architecture too, just asoften as effects seem unsatisfactory. See what is said fur-ther upon this subject on page 300. After the earlier,creative… … 224 PROPORTION AND HARMONY. has been achieved by their ancestors, and then they beginto have a traditional veneration for it. That which shouldstimulate them to thought, stirs them .only to reverence,and, like many of the critics and architects of our ownday, they come to teach in their schools,…
Aesthetics · Proportion (Art) · Color
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