Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics (1899)
Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 309
FIQ. 112— SAME OBJECT SEEN DIFFERENTLY BYEACH EYE. NEAR AND DISTANT BACKGROUND. See pages 271, 272, 274, 280. FIQ. 113.-PARTS OF OB-JECT, AS SEEN WITHNEAR AND DISTANTBACKGROUND. /,/, object; A, 2?, back-grounds: L and R, eyes;ny nose. See pages 234, 268,273, 280. The explanation of this effect is,…
Aesthetics · Proportion (Art) · Color
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