Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics (1899)
Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 330
on a straight line supposedto be drawn between a and b. If then attention bedirected first upon a, and from it passed upward to fr, CURVES ACCOMMODATED TO EYES. 293 and, while this is being done, the circle representing thefield of vision of one eye be gradually pulled apart fromthe circle… … FIQ. 123.—OUTLINES OF CURVES AS DETERMINED BY CHANGES IN BACKGROUNDS.See pages 292, 293, 294, 295. two circles under Cand D, and instead of the one straightline between a: and b, we should have, as representing theappearance which the eyes could perceive with the leastchange of focus, and therefore…
Aesthetics · Proportion (Art) · Color
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