Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics (1899)
Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 367
ectrum. On page 310, it wasshown that white light, i. e., ordinary sunlight, produces,when analyzed, all the different colors; from which fact itwas said that the conclusion is drawn that the different 330 IKOPORTIOX AND HARMONY, colors combined produce white light. Many experimentshave served to… … FIG. 125—FORMATION OF COMPLEMENTARY COLORS.See page 331. the wall. If a color top, on a disk of which all the colorsare represented, be spun rapidly, a grayish-white appearswhere the colors are. But if all the colors together makewhite, it follows that the absence from white light of any ofits…
Aesthetics · Proportion (Art) · Color
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