Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics (1899)
Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 371
f the kind ; butis much more simple in construction than are most ofthem and, therefore, is much more easy to understandand apply. 334 PROPORTION AND HARMONY. Let us consider some facts which this chart illustrates.It shows us that of two complementary colors, one—say yel-low—is usually brighter… … FIG. 127— VON BEZOLDS COLOR-CHART. See pages 33333<J, 390-393, 39$, 403, +H- plementary, in order that the two together may still con-tinue to make white, must become correspondingly lighter.This suggestion is confirmed by an experiment with acolor top ; two equal parts of the disk of this,…
Aesthetics · Proportion (Art) · Color
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