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Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics (1899)

Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 75

An illustration from Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics, 1899, leaf 75
a chief reason why the require- FIG. 11.- ST. STEPHENS, CAEN, NORMANDY. See pages 42, 44, 154, 163, 166, 170, 175, 226. ments of proportion are supposed to be involved in im-penetrable mystery, and why, therefore, the neglect of them 38 PROPORTION AND HARMONY. in our own day is supposed to be… … FIG. 12.- CANTERBURY CATHEDRAL, FROM SOUTHWEST. See pages 42, 163, 175, 226. measurements which the. mind makes of appearances;and that only by and by are we to consider perspective,which has to do with the arrangements producing appear-ances, let us confine attention for a time to the…

Aesthetics · Proportion (Art) · Color

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