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Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics (1899)

Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 76

An illustration from Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics, 1899, leaf 76
ormersubject. In proportion, it is the apparent measurementsof certain divisions and subdivisions of objects that arecompared. As was said in the last chapter, these measure- PROPORTION MARKED BY LIKE SUBDIVISIONS. 39 merits could not be compared unless they were related toone another according to… … FIG. 13.-CENTRAL CONGREGATIONAL CHURCH, BOSTON.See page 42. faces, or of different divisions of the same line or surface.Our task will evidently be easiest when the numbers aresmallest ; L e., when the two lengths compared are as 1:1,or are exactly alike. We see, therefore, why this rela-tionship…

Aesthetics · Proportion (Art) · Color

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