Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics (1899)
Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 77
liest form and, even 40 PROPORTION AND HARMONY. in our own day, the most universal in which the tendencyto proportion manifests itself. Notice, as already indi-cated in Chapter II., the equal spaces in Figs. I, page 12,2, page 12, and 3, page 12. In Fig. 6, page 33, notice theequal spaces between… … FIG. 14.—WILLESDEN CHURCH, NEAR LONDON, ENGLAND. See pages 42, 154. the equal width of each panel. In Fig. 9, page 36,observe the equal divisions in the tower considered per-pendicularly. In Fig. 10, page 36, observe that thecolumns divide the sides considered horizontally intoapproximately equal…
Aesthetics · Proportion (Art) · Color
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