Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics (1899)
Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 81
ochange in principle. In case the lines to be comparedform adjacent sides of a rectangle, the ratio betweenthe lines must be recognizable in the degree in whichit can be expressed in small numbers, 1 : 2, 2 : 3, 3 14, etc.Or, if comparatively large numbers be necessitated, theycan still be… … FIG. 18.—FIGURES WITH LINES SUBDIVIDED TO INDICATE PROPORTION.See pages 44, 263. 3 : 5 and 4:7. As applied in actual construction also,observe Fig. 8, page 35 ; and the like horizontal or verti-cal divisions in Figs. 10, page 36, 11, page 37, J J, page 150,81, page 155, and 82, page 156.…
Aesthetics · Proportion (Art) · Color
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