Proportion and harmony of line and color in painting, sculpture, and architecture : an essay in comparative æsthetics (1899)
Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 94
as weshall find, such is not the case as frequently as might besupposed. The other fact which Fig. 30 may be made to illus-trate is this. It will be observed that the different out- PROPORTION IN THE HUMAN FORM. S7 lines and divisions in the large arches are made to seem inproportion because these… … FIQ. 31.—LINES AND CURVES INDICATING PROPORTIONS OF A FORM TAKENFROM PUTNAMS HANDBOOK. See pages 15, 58, 59, 69, 72, 85, 87, 118, 120, 130, 131, 135, 137, 138, 290, 291, 295. rectangles, but in any like figures whatever. The rectan-gle is used as an actual or ideal standard of comparisonmerely as a…
Aesthetics · Proportion (Art) · Color
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![An illustration from Champ fleury : au quel est contenu lart & science de la deue & vraye proportio[n] des lettres attiques, quo[n] dit autreme[n]t lettres antiques, & vulgairement lettres romaines proportionnes selon le corps & visage humain ... (1529)](https://img.insideoutlibrary.com/img/200/ia-champfleuryauque00tory-53-28.webp)
