Goodyear, W. H. (William Henry), 1846-1923 · New York : The Macmillan company ltd. · leaf 137
bout the people for whom they were made.It may be said next that both with Greek statues andItalian paintings, the repetition of subjects involved in thenational interest in those subjects is what led to the ultimategreat technical achievements of the men of great genius.It was also the explanation… … Fig. 67.—Virgin Adoring the Infant Savior.By Lorenzo di Credi. London. Philosophy of the Perfection of Italian Painting. 127 expected. On this last head it is clear that the artist olsubordinate talent, working for a demand which repeats thesubject, is able to profit by the conceptions of his…
Art · Art, Renaissance
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