Goodyear, W. H. (William Henry), 1846-1923 · New York : The Macmillan company ltd. · leaf 173
familiar to his timebut he went much farther in the realistic introduction andtreatment of clouds, landscape accessories, and other subor-dinate features of his pictures. It would be more correctand more exact to say that he habitually represented 162 Renaissance and Modern Art. these things in… … Fig. 93.—Hall of the Grand Council, Doges Palace. and shade, more nervous in its activity, in a word, moremodern than that of any of his contemporaries. He is amarvelous anticipator of the effects which were sought byall artists a century later, but which were then sought with-out the same…
Art · Art, Renaissance
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