Goodyear, W. H. (William Henry), 1846-1923 · New York : The Macmillan company ltd. · leaf 188
t thecontrary is the case.In the early sixteenthcentury the actualcrucifixion was rarelyrendered. The Dep-osition from the Crossreplaced it. At thattime the Head ofChrist is unknown,likewise the Head ofthe Madonna. TheImmaculate Concep-tion type is also un-known to the greatperiod of Italian art,… … Fig. 106.—Madonna, by Guido Reni.Uffizi Gallery, Florence. i7» Renaissance and Modern Art. pression is attempted, as in Raphaels Transfiguration(Fig. 84), and Titians Assumption (Fig. 95), thegreat dignity and reserve are to be noted and compared with seventeenth cen-tury types. In thesame sense…
Art · Art, Renaissance
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