Goodyear, W. H. (William Henry), 1846-1923 · New York : The Macmillan company ltd. · leaf 193
attractiveness itundoubtedly holds its own. This should scarcely be Seventeenth Century Renaissance Painting. 181 reckoned against it; but still waters run deep and thewaters of the seventeenth century are rarely still, at least inthe religious art of Italy. For genuine and spontaneousfeeling in… … Fig. i io.—Portrait of Lucas Baumgartner. Albert Diirer. Munich. CHAPTER XXI. SIXTEENTH CENTURY GERMAN AND FLEMISH PAINTING. Our most natural first attitude toward early northernart is to use it as a foil for the contemporary Italian.We can appreciate Masaccio and Da Vinci at their bestwhen we…
Art · Art, Renaissance
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