Goodyear, W. H. (William Henry), 1846-1923 · New York : The Macmillan company ltd. · leaf 89
ecial example. An infinite numberof such comparisons might be instituted. We shall now turn for a moment to a window decoration of somewhat laterdate in Venice, inorder to consider itstypical relation tothe doorway. Thesame elements ofantique detail arein question, al-though we cannotspecify any… … Fig. 31.—Window Pediment of the Doges Palace.Venice. By Pietro Lombardo. angle) the motives which ultimately became a mania in thelater Renaissance, and whose endless repetitions and vari-ations ultimately became so tedious (Figs. 45-53, inclusive).What I wish to point out now for the earlier…
Art · Art, Renaissance
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