Goodyear, W. H. (William Henry), 1846-1923 · Meadville, Pa. : Flood and Vincent · leaf 184
hecontrary is the case.•In the early sixteenthcentury the actualcrucifixion was rarelyrendered. TheDep-osition from the Crossreplaced it. At thattime the Head ofChrist is unknown,likewise the Head ofthe Madonna. The Immaculate Concep-tion type is also un-known to the greatperiod of Italian art,… … Fig. 106.—Madonna, by Guido Reni.Uffizi Gallery, Florence. i78 Renaissance and Modern Art. pression is attempted, as in Raphaels Transfiguration(Fig. 84), and Titians Assumption (Fig. 95), thegreat dignity and reserve are to be noted and compared with seventeenth cen-tury types. In thesame sense…
Art, Renaissance · Art -- History
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