Goodyear, W. H. (William Henry), 1846-1923 · Meadville, Pa. : Flood and Vincent · leaf 85
red as theoriginal suggestion.At all events, wehave in these twopediment forms(curvilinear and tri-angle) the motives which ultimately became a mania in thelater Renaissance, and whose endless repetitions and vari-ations ultimately became so tedious (Figs. 45-53, inclusive).What I wish to point out… … Fig. 31.—Window Pediment of the Doges Palace.Venice. By Pietro Lombardo. Historic Sketch of Fifteenth Century Architecture. 79 •j»«aUu\ r 1 ^ of buildings they are unknown at this time. Their firstappearance and widest use at this time are for the frame-work of decorative tablets, tomb-reliefs,…
Art, Renaissance · Art -- History
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