Roman art : some of its principles and their application to early Christian painting (1900)
Wickhoff, Franz, 1853-1909, Strong, Eugénie, 1860-1943 · London : W. Heinemann ; New York : Macmillan · leaf 262
ROMAN ART 162 here served to the precise indication of place were retained. I shall remind the reader in this connection of the great relief with the “Apotheosis of Faustina” in the Palazzo dei Conservatori,* * * § and the beautiful fragments with the foundation of the Temple of Aesculapius on the… … the horn of plenty in the Fig. 67. — Allegorical Relief in Palazzo Rondanini (After Rom. Mittheilungen , I. pi. IX.) left, while at the back the ominous boar flies transpierced by an arrow in order to expire on the spot where the Temple of Athena is to rise. A parallel representation which strikes…
Art, Roman · Christian art and symbolism
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