Roman art : some of its principles and their application to early Christian painting (1900)
Wickhoff, Franz, 1853-1909, Strong, Eugénie, 1860-1943 · London : W. Heinemann ; New York : Macmillan · leaf 33
ENNA 9 humiliation the gate of the beautiful garden ; we again see them outside, received by a deeply significant figure symbolising the bitter days in store for them, and between stands the guarding Cherub before the fateful gate. We thus take in at a glance their last moments in Paradise, their… … Fig. 2. — The Expulsion from Paradise. From the Book of Genesis in Vienna (after Lambecius) pictorial narration. Just and unjust pass before us in two, three, or even four representations, if necessary upon the same scene, untroubled by the law of experience that only those events can be seen…
Art, Roman · Christian art and symbolism
Internet Archive · Getty Research Institute · Public domain (published before 1931). Free to use for anything.
![An illustration from Aereoplastes theo-sophicus, sive, Eicones mysticae : rarâ solertiâ, ac sagacitate singulari effictae eæq́[ue] æri incisæ : integram veræ theosophias rationem mirâ dexteritate adumbrantes : euolutione Latinâ ex Sacris Scripturis, sanctis patribus, philosophis, oratoribus, historicis ac poëtis tàm Græcis quàm Latinis Christianis iuxtà atq[ue]; gentibus nunc illuminatæ, ac bonorum bono editæ (1620)](https://img.insideoutlibrary.com/img/200/ia-aereoplatestheos00orae-75-36.webp)
