Roman sculpture from Augustus to Constantine (1907)
Strong, Eugénie Sellers · London : Duckworth and Co. ; New York : C. Scribner's Sons · leaf 252
iently animated, seemsonly mediocre, and since we are assured that the reliefextended no further at the top, it is evident that theartist no longer has the sense of spatial compositionwhich we admired on the panels of the Arch of Titus. % * W. Amelung, Catalog des Vatikanischen Museums, vol. i..No.… … t i;: 1 FLAVIAN RELIEF 143 Nor, so far as the fragment enables us to judge, doesthe open ground appear to have been abandoned, asin the later monuments, in favour of some other artisticdevice. The general Flavian character, however, isincontestable. Far more beautiful as works of art aresix heads…
Sculpture, Roman · Sculpture, Greco-Roman
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