Roman sculpture from Augustus to Constantine (1907)
Strong, Eugénie Sellers · London : Duckworth and Co. ; New York : C. Scribner's Sons · leaf 296
ome to the student thesalient principles of the continuous style ; the subse-quent analysis and digression may have served toestablish wherein this style differs from similar oldermethods. It is now time to approach the most exten-sive, if not the most grandiose, of its manifestations. On the great… … THE COLUMN OF TRAJAN 171 the detail of the reliefs in situ, for, unlike Raphael andhis friends, we can no longer climb on to the roofs ofthe houses which in his day closely surrounded thecolumn. At the same time, the difficulty of studyingthe original is exaggerated as regards general…
Sculpture, Roman · Sculpture, Greco-Roman
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