Roman sculpture from Augustus to Constantine (1907)
Strong, Eugénie Sellers · London : Duckworth and Co. ; New York : C. Scribner's Sons · leaf 385
tion of theArch of Benevento took to itself in time the superposedtiers of the continuous method, and the combination ofthe two had the greatest vogue right down into theRenaissance. Duccio of Buoninsegna himself—ultbnusRomanorum—gives in his pictures, notably in the panelsof the famous Maicstas, a… … lIKAIi OF .MAItS, TKA.IAX IKKIODJ/HSto Darracco THE PRINCIPATE OF TRAJAN 227 deriving from the superposed tiers of people in theTrajanic column, while the subjects are divided intosingle or isolated panels, each dominated by the pre-sence of One Personage, according to the methodemployed for the…
Sculpture, Roman · Sculpture, Greco-Roman
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