Roman sculpture from Augustus to Constantine (1907)
Strong, Eugénie Sellers · London : Duckworth and Co. ; New York : C. Scribner's Sons · leaf 495
es. The artists seem impelled to reveal moodsand emotions passed over or unperceived by theirpredecessors. Their interpretation is at once humanerand more tender, and therefore more sympatheticand individual, than any attempted by the Trajanicartists even in the most moving scenes. Pathos in…
Sculpture, Roman · Sculpture, Greco-Roman
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