Roman sculpture from Augustus to Constantine (1907)
Strong, Eugénie Sellers · London : Duckworth and Co. ; New York : C. Scribner's Sons · leaf 545
SEVERUS TO DIOCLETIAN 321 and that by keeping the figures in one plane the in-extricable tangle gains a certain clearness of rhythm. These involved compositions long continued in vogueAs late as the end of the third century a.d.—to judgefrom the type of face of the emperor portrayed—wemeet with…
Sculpture, Roman · Sculpture, Greco-Roman
Internet Archive · Brigham Young University · Public Domain Mark 1.0. Free to use for anything.
