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Rules and examples of perspective proper for painters and architects, etc. in English and Latin :‡bcontaining a most easie and expeditious method to delineate in perspective all designs relating to architecture, after a new manner, wholly free from the confusion of occult lines /‡cby that great master thereof, Andrea Pozzo, Soc. Jef. engraven in 105 ample folio plates, and adorn'd with 200 initial letters to the explanatory discourses ; printed from copper-plates ony best paper by John Sturt ; done into English from the original printed at Rome 1693 in Lat. and Ital. by Mr John James of Greenwich (1693)

Pozzo, Andrea · J Senex and R Gosling · leaf 137

An illustration from Rules and examples of perspective proper for painters and architects, etc. in English and Latin :‡bcontaining a most easie and expeditious method to delineate in perspective all designs relating to architecture, after a new manner, wholly free from the confusion of occult lines /‡cby that great master thereof, Andrea Pozzo, Soc. Jef. engraven in 105 ample folio plates, and adorn'd with 200 initial letters to the explanatory discourses ; printed from copper-plates ony best paper by John Sturt ; done into English from the original printed at Rome 1693 in Lat. and Ital. by Mr John James of Greenwich, 1693, leaf 137
FIG U R A Trigefimafeptima. Deformatio Columns BTRUSCiE. X prdeparatione quam exhibuimus Figurd tri- gejtmafextd, eruitur columna h<zc nitida Or- dinis Etrufci, opt ice imminuta per latitudi- nes £^ altitudines partium Jtngularum $ qute accipiuntur ope duorum circinorum, ut f<e- piiis diSium… … The Thirty-feventh FIGURE. A TUSCAN Column in PerfpeSlive. ROM the Preparation exhibited in theThirty-fixth Figure, is drawn this com-plete Piece of the Tufcan Order, broughtinto Perfpe&ive by means cf the Breadths and Heights of the feveral Parts, exa&ly taken off with the Compaffes, as…

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More pictures from Rules and examples of perspective proper for painters and architects, etc. in English and Latin :‡bcontaining a most easie and expeditious method to delineate in perspective all designs relating to architecture, after a new manner, wholly free from the confusion of occult lines /‡cby that great master thereof, Andrea Pozzo, Soc. Jef. engraven in 105 ample folio plates, and adorn'd with 200 initial letters to the explanatory discourses ; printed from copper-plates ony best paper by John Sturt ; done into English from the original printed at Rome 1693 in Lat. and Ital. by Mr John James of Greenwich

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