Rules and examples of perspective proper for painters and architects, etc. in English and Latin :‡bcontaining a most easie and expeditious method to delineate in perspective all designs relating to architecture, after a new manner, wholly free from the confusion of occult lines /‡cby that great master thereof, Andrea Pozzo, Soc. Jef. engraven in 105 ample folio plates, and adorn'd with 200 initial letters to the explanatory discourses ; printed from copper-plates ony best paper by John Sturt ; done into English from the original printed at Rome 1693 in Lat. and Ital. by Mr John James of Greenwich (1693)
Pozzo, Andrea · J Senex and R Gosling · leaf 154
FIG U The Manner of avoiding Confifjion, in reducing Plansand Elevations into PerfpeSlive. HE Reducing into Perfpe&ive the Planof the Fortieth Figure, and the Uprightof the Forty-firft Figure, would becomevery confus d, thro7 the great Obliquityof the Rays: We have therefoie reme-dy d the… … FIGURA Quadragefimatertia. Contra&io veftigii figure quadragefimse. 1NEA plant multo remotior eji a line a horizontals in hocfchemate, quam in pracedenti. Ideo iftud vefligium vacatomni confujione. Catera patent ex its quce fapius diciafunt, & ex figure hups infpetlione. Oportet autem,…
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