Rules and examples of perspective proper for painters and architects, etc. in English and Latin :‡bcontaining a most easie and expeditious method to delineate in perspective all designs relating to architecture, after a new manner, wholly free from the confusion of occult lines /‡cby that great master thereof, Andrea Pozzo, Soc. Jef. engraven in 105 ample folio plates, and adorn'd with 200 initial letters to the explanatory discourses ; printed from copper-plates ony best paper by John Sturt ; done into English from the original printed at Rome 1693 in Lat. and Ital. by Mr John James of Greenwich (1693)
Pozzo, Andrea · J Senex and R Gosling · leaf 155
FIGURA Quadragefimatertia. Contra&io veftigii figure quadragefimse. 1NEA plant multo remotior eji a line a horizontals in hocfchemate, quam in pracedenti. Ideo iftud vefligium vacatomni confujione. Catera patent ex its quce fapius diciafunt, & ex figure hups infpetlione. Oportet autem,… … The Forty-third FIGURE. The Plan of the Fortieth Figure in Perfpe&ive. Y placing the Ground-line in this, much more remotefrom the Horizontal, than it is in the foregoing Figure,all Confufion is here avoided. The reft is evident fromwhat has been often faid on this Head, and a bare…
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