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Rules and examples of perspective proper for painters and architects, etc. in English and Latin :‡bcontaining a most easie and expeditious method to delineate in perspective all designs relating to architecture, after a new manner, wholly free from the confusion of occult lines /‡cby that great master thereof, Andrea Pozzo, Soc. Jef. engraven in 105 ample folio plates, and adorn'd with 200 initial letters to the explanatory discourses ; printed from copper-plates ony best paper by John Sturt ; done into English from the original printed at Rome 1693 in Lat. and Ital. by Mr John James of Greenwich (1693)

Pozzo, Andrea · J Senex and R Gosling · leaf 160

An illustration from Rules and examples of perspective proper for painters and architects, etc. in English and Latin :‡bcontaining a most easie and expeditious method to delineate in perspective all designs relating to architecture, after a new manner, wholly free from the confusion of occult lines /‡cby that great master thereof, Andrea Pozzo, Soc. Jef. engraven in 105 ample folio plates, and adorn'd with 200 initial letters to the explanatory discourses ; printed from copper-plates ony best paper by John Sturt ; done into English from the original printed at Rome 1693 in Lat. and Ital. by Mr John James of Greenwich, 1693, leaf 160
r the Proportion of this Order, are to be transferrd;and Vifuals drawn from them to the Point of Sight. Howby thefe Vifuals and Parallels the Elevation is raisd in PerfpecTive, is mani-fell in part from this Figure, but more clearly from the Forty-fecond Figure.The Numbers 1, 2, 3, 4, which you… … FIGURA Quadrageiimaquinta. Dimidium sedificii DORICI optice deformati. XJICJigUrce delineandtf plures praiverunt, ejuf-demque latitudines mutuati fumus ex figuraquadragefirnatertia, altitadines ex quadrage-Jimaquarta. Supereji autem, ut lumina &umbrtffcite inducantnr injtngulas partes adificii.

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More pictures from Rules and examples of perspective proper for painters and architects, etc. in English and Latin :‡bcontaining a most easie and expeditious method to delineate in perspective all designs relating to architecture, after a new manner, wholly free from the confusion of occult lines /‡cby that great master thereof, Andrea Pozzo, Soc. Jef. engraven in 105 ample folio plates, and adorn'd with 200 initial letters to the explanatory discourses ; printed from copper-plates ony best paper by John Sturt ; done into English from the original printed at Rome 1693 in Lat. and Ital. by Mr John James of Greenwich

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